Thursday, January 10, 2013

Flu claims 6 more Oklahoma lives

Three of those deaths have been in Tulsa County, which has by far the most hospitalizations reported of any county in the state at 115.

Other deaths have been in Creek, Mayes, Muskogee, Pittsburg and Rogers counties.

Nearly 100 hospitalizations from flu were reported last week, bringing the total number of throughout the state to 345 since Sept. 30.

With about 25 percent of Kiefer Public Schools students sick with the flu, officials have decided to close the school system Friday.

?We?re closing school so we can disinfect phones, desks, water fountains, lockers,? said school attorney Steve Mathis. ?Hopefully we can nip the flu bug in the bud.?

Mathis said that those who haven?t been exposed can stay home Friday and hopefully not get the flu. School will resume on Monday.

The kindergarten through 12th-grade school has about 650 students. The middle and high school buildings share a campus, and the elementary school has a separate campus.

?Having a quarter of the kids sick is certainly not a good thing for anybody,? Mathis said.

World Staff Writer Susan Hylton contributed to this story.

Source: http://www.tulsaworld.com/site/articlepath.aspx?articleid=20130110_17_0_Sxmrka311985

the raven zerg rush david wilson playstation all stars battle royale kim zolciak kim zolciak travis pastrana

Never-Ending Story | Poetry | Funny Improv Comedy, Acting, and ...

...Hope...

?Hope? (Photo credit: ???? {mostly absent})

I am tempted by the soul I encourage bliss,
The thoughts of this world no longer exist,
I am trapped in a my own mind, it twists and turns,
Artifacts of my past life set a fire, and simply burns,
Trying to walk away, I am pulled and dragged,
The future is my aim, I try to rid myself of the present and make it my past,
Day by day I grow taller, and I try expands my wings,
The beauty and the art of the unknown I?continuously?draws me in,
Others see me in my many forms, I adjust and I adapt,
To the changes that are my obstacles, I overcome them quickly leaving gaps,
For the speed I am going, the rate is unmatched,
Is there really a limit, If I keep gaining the things that I lack?

Fin

Never -Ending Story
by: Jixi Fox

Jixi Fox Presents Poetry Tuesday
every tuesday on www.jixifox.me

Click ?to Subscribe to Jixi Fox? ? ? || ? ??Watch Jixi Fox on YouTube

Source: http://jixifox.me/2013/01/08/never-ending-story-poetry/

breaking dawn part 2 breaking dawn part 2 Jennifer Lacy Honey Baked Ham hostess israel AMA

Wednesday, January 9, 2013

The Movie Club

Marion Cotillard and Matthias Schoenaerts in Rust and Bone. Marion Cotillard and Matthias Schoenaerts in Rust and Bone.

Photo by Roger Arpajou.

Dear Stephanie, Wesley, and Keith,

This photo of Wesley standing on top of his desk at the Globe to make a speech after winning the Pulitzer was like a still from what would have been the best movie of the year.

But since lack of space compels us to restrict our conversation to films that actually exist, I?m wondering what you all made of 2012?s bumper crop of movies that aimed to immerse the viewer in hyper-real sensory universes of one kind or another. This is a phenomenon I?ve been thinking about over the last few years, because I want to interrogate my resistance to the technologies I perhaps too often dismiss as so many spatio-perceptual bells and whistles: 3-D, super-high-definition formats like The Hobbit?s 48 frames per second, and even to some degree the extensive use of digitally created images. It isn?t that I don?t think filmmakers can use these innovations in arresting and novel ways. Months after seeing Ang Lee?s Life of Pi, which did remarkable things with 3-D, digital animation, and hi-def, the film?s unusual visual surface is all that sticks with me: I can only describe the image as seeming not only deep but thick, as if the movie were being projected onto a solid cube of clear Jell-O. It was neat-looking, but I?m not sure I need any more of my movies to look that way. Or that I even needed Life of Pi to, really?if anything, the movie?s lavish, hyper-designed look functioned, for me, as a buffer against genuine emotional response.

Then there was the 48fps technology in Peter Jackson?s The Hobbit, which for me and many other viewers turned what might otherwise been an overlong-but-endearing trip deep down the hobbit-hole of Jackson?s Tolkien-loving brain into a two-hour-and-50-minute retinal assault. It may be that higher-frame-rate technology will one day change the way we watch movies, but whatever future marvels we?ll be oohing and aahing at are unlikely to bear much resemblance to the 48fps Hobbit, a movie as ugly as that goblin king with the pendulous neck-goiter who terrorizes the dwarf heroes in its second half. It isn?t just that viewers? eyes are used to watching film advance at the slower 24fps rate (which, I know, was itself arbitrarily chosen). It?s that lighting designers, costumers, actors, and everyone behind the scenes creating the illusion are all used to working within that format as well, and their tricks are all scaled to that medium. At least in this movie?s case, the effect of jamming twice as much visual information into each frame was to continuously remind the viewer of a piece of meta-visual information she might rather not spend a fantasy film thinking about: that everything we were seeing was taking place on a series of wildly expensive film sets somewhere in New Zealand, with guys in dwarf costumes under a hot lighting rig worrying about the longevity of their beards? spirit gum.

It?s an inevitability that the gods will exact retribution for what I just wrote by making the 48fps format the next big thing starting in 2013. (I?m imagining a trend of higher-frame-rate conversions of Hollywood classics: The Wizard of Oz, now with visible latex seams on the Scarecrow?s headpiece!) I swear I?m not being a Luddite for Ned Ludd?s sake here; if anything, I?m eager for a big technological breakthrough to come along and make my eyeballs pop out of my head cartoon-style, the way Avatar, for all its storytelling shortcomings, did a few years back. But maybe it?s just that the most magical digital effects this year took place on a smaller, less aggressively ?immersive? scale: The matter-of-fact digital removal of Marion Cotillard?s lower legs for the amputee character she played in the gritty, heart-swelling French romance Rust and Bone, or that freaky motion-captured erotic encounter between Denis Lavant and an impossibly lithe female acrobat in L?os Carax?s deliciously bizarre masterwork Holy Motors.

How do you all feel about the third dimension?s by now apparently successful assault on our cinematic senses, and the general valuation of sensorial hyper-reality as an aesthetic good? Do you wish there were more or fewer films that sought to suspend you in blocks of perceptual Jell-O?

Source: http://feeds.slate.com/click.phdo?i=f63903c421a1cffe75871e4f9ae2437f

uganda the parent trap invisible children kony 2012 space weather sunspots pac 12 tournament sun storm

Tuesday, January 8, 2013

Acoustic Research's $120 ARS60 Bluetooth speakers seem oddly familiar

Acoustic Researchs new portable speakers strongly remind us of the Supertooth Disco

This is Acoustic Research's ARS60, a portable Bluetooth speaker that's weirdly pint-shaped, pumps out 16 watts of RMS power and has a battery rated for ten hours of play at medium volume. Of course, we're fairly sure that this is a re-badged SuperTooth Disco 2, albeit slapped with a $120 price-tag. If you're interested in picking one up, it'll be available in the Spring, but if you don't want to wait that long, you could always just buy one of the originals at a cheaper price.

Continue reading Acoustic Research's $120 ARS60 Bluetooth speakers seem oddly familiar

Filed under:

Comments

Source: http://feeds.engadget.com/~r/weblogsinc/engadget/~3/AMMCvrLqFBY/

Fiesta Bowl Jeanie Buss NFL.com NFL playoff schedule 2013 biggest loser Bronson Pelletier andy reid

Monday, January 7, 2013

A VC: MBA Mondays: Revenue Models - Subscriptions

When I got into the venture capital business in the mid 80s, software was sold. You would pay a large sum to acquire a license to the software and then a much smaller annual fee for maintenance and support. Today, most software is sold in a subscription model. You pay a monthly fee for the right to use the software. If you stop paying the monthly fee, your right to use the software goes away. Maintenance and support is bundled in.

The emergence of the subscription model has made the software business better. In the old upfront license fee model, software companies would trade at 2-4x revenues. Now they trade at 6-8x revenues. That reflects the recurring, almost annuity nature of the subscription model.

Software is not the only technology oriented business that utilizes a subscription revenue model. Content has also moved from an upfront fee (buy an song or a movie on iTunes) to a subscription model (a monthly fee for Spotify, Rdio, Netflix, or Hulu).

And infrastructure is now also sold on a subscription model. Amazon Web Services (AWS) is a great example of this. Need a server? You can provision it for yourself in the cloud and pay a monthly subscription for it. Same with storage and a host of other infrastructure services.

The emergence of the subscription model for software, digital content, and infrastructure has led entrepreneurs to offer all of these in limited form for free with a paid upgrade to a monthly or annual subscription. The term for that form of subscription is freemium, a term that was invented by Jarid Lukin in the comments on this blog in March 2006.

Subcriptions can be paid monthly or annually in advance. Many companies opt for the latter model and that works really well because it creates a favorable cash flow dynamic in the business. Cash comes in before most of the revenue is recognized, leading to a healthy and predictable business model. In addition, the subscription business model allows a company to book most of the revenue for the year in advance. Companies with subscription based revenue models often have great visibility into the next twelve months of revenues, a feature which makes for a great public company.

The big gotcha in subscription revenue models is churn. If you churn more than 10% of your customers every year, subscriptions can be a challenging model. You need to grow new customers at 10% just to stay even. I encourage our portfolio companies that utilize a subscription model to be very active at managing customer satisfaction and to actively monitor the customer's usage of the software or service to identify customers with high churn potential. This kind of data can be automated and leveraged to proactively manage problem accounts and reduce churn.

The first several years of a subscription based business will typically require a fair bit of funding because the revenues come in over time instead of up front. But once a subscription business reaches scale, it has very favorable cash flow dynamics, as mentioned above. For these reasons, subscription based businesses are good businessed to raise capital for and investors generally find them attractive to invest in.

In many ways, the subscription business model is the most attractive of the "big three" (advertising, commerce, and subscriptions), all of which we have now covered in this MBA Mondays series on business models. Subscriptions are more predictable and reliable and as a result create more investor confidence leading to higher multiples and more valuable businesses. Of course that is not universally true of all businesses, but I have found it to be generally true over long periods of time and many different businesses.

Source: http://www.avc.com/a_vc/2013/01/mba-mondays-revenue-models-subscriptions.html

champs champs calvin johnson calvin johnson festivus festivus nfl playoff picture

Self Publishing Is Not A Trouble Free Work ? Writing and Speaking

Being a self publisher is not an effortless listing, it means that you will be in complete control of not only the real creating of the book yet additionally you will certainly be calling the shots on every step in the procedure of your books manufacturing.

This really isn?t meant to scare you away from self publishing your book. Equally you will certainly be able to make the choices on exactly how you desire your book offered you could likewise choose, as a self publisher, how much support you want to obtain.

Aided Self Publishing indicates that you now have the alternatives to choose from when it comes to publishing your book without the necessity of handing over the composition to a large posting stored and trusting in them to inform you exactly what is finest for you and your book.

Without the popularity recently of self publishing comes companies that provide a large assortment of alternatives to decide on, from modifying sites to printing and everything in between. In a sense it resembles selecting which packages to contribute to your satellite TELEVISION carrier?s solution. You may either decide on an all incorporating plan or you could include the items that are necessary to you as you go along.

Anybody could release a book. Essentially, the right to release is assured to you by the Free speech of the Constitution of the United States. You do not need to get a permit or register with anyone to publish a book. Nonetheless it does expense money to release a book.

Book publishing in the past was very costly however without today?s modern technology it is a lot more budget friendly. An author, in meaning, is a person who sets up the money to have something given the public. So as the author, it is going to cost something to obtain your book out to the masses.

It truly falls to you in some cases how much you are willing or able to invest on publishing your book based upon what you are capable of handling your own self and exactly what you may need a little aid with. One thing to remember is, this is your baby and even though you wish to be involved in taking your vision and delivering it to fact, there are some points at the same time that you might want to have another person take care of in order that you may generate the best finished item that you possibly could and provide your book the chance it ought to have.

If you want to know about self publishing, you may read our Self Publishing blog


Tags: self book publishing, self publishing

Source: http://writingandspeaking.flyfishing-guide.net/uncategorized/self-publishing-is-not-a-trouble-free-work/

encyclopedia brittanica nfl free agency jonbenet ramsey jason campbell doobie brothers jennie garth peter facinelli marques colston

Source: http://melissajhonson33.blogspot.com/2013/01/self-publishing-is-not-trouble-free.html

Jimmy Hoffa Ed Hochuli Opie modern family george strait how i met your mother Jordan Pruitt